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LFCiS“Prepare for the C.F.CiS (Advent)”
We are very proud to announce the signing of LFCiS.
LFCiS (Eleusis) is not just a name — it is a band-like concept, a vessel for ideas — a symbolic ”arrival” inspired by the Ancient Greek word ”Ἔλευσις”, meaning coming or ADVENT.
Created and led by a Greek instrumental rock guitarist, LFCiS bridges precision and emotion, merging the analytical mind of a surgeon and researcher with the soul of an artist.
While his professional life is grounded in science, music remains his way to process the human side of it all.
He doesn’t chase perfection or precision — instead, he plays when inspiration calls, translating emotion and lived experience into melody His music balances heavy, melodic, and atmospheric elements — where instrumental rock meets cinematic depth and spiritual reflection.
Influenced by Joe Satriani, Andy Timmons, Ritchie Kotzen, and the introspective tones of Paradise Lost, LFCiS combines Western rock with subtle Byzantine and Hellenic tonal colors, connecting modern sound to timeless tradition.
The debut album Prepare for the LFCiS (Advent) marks both a personal and artistic awakening. The title track, characterized by its Byzantine-inspired tonality, serves as a call to spiritual readiness — a journey from silence to flame, from contemplation to strength.
In the aftermath of certain social events that had a direct and profound impact on him and his family, the artist reached a point where silence was no longer an option.
The unquenchable passion for music that had always lived within him began to mature — transforming pain, reflection, and endurance into creation.
This album is not just a musical project; it is the decision to finally give voice to everything carried in silence. Conceptually, “speaks” about preparation: preparing the soul to endure, to discern truth amid distortion, and to stand resilient as the world grows darker.
In the artist’s words:
”LFCiS is not a mere idea, but a living concept. It’s about the arrival of light, of awareness, of the courage to face what’s real

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