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Metal Majesty
2005 |
Lion Music
LMC123
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Produced
By:
Valensia
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Running
Time:
47.27
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Release
Date:
Out Now
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Released:
EU
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Musical
Style:
Melodic Hard
Rock
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Links:
Lion Music
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90%
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Songs:
85%
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Sound:
95%
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Metal Majesty is essentially
pomp rock icon Valensia and
his other personality – moving away
from the pomp and ceremony of
trading off Queen riffs to 'paying
tribute' to a heavier God –
Whitesnake, Blue Murder and er,
Queen. And boy – does he 'pay
tribute'!
Kingdom Come's classic debut
remains one of my favourite albums
from its era. However, at the time
it gained notoriety for all the
wrong reasons – and it went on to
sell a truck load. I enjoy it for
what it is – a blatant 'borrowing'
of Led Zeppelin riffs,
updated and Americanized for what
was – at the time – a huge market
for hard rock. History is repeated
with Valensia's 'borrowing'
of material for his new release.
Had this Metal Majesty album
any chance of selling 2,000,000
units, I would think that Mr.
Coverdale and Mr. Sykes
might be talking to their lawyers.
There's plenty on offer here to mull
over!
While the music will have listeners
diving into their memories for where
the riffs originated, there is no
denying the strength of the
material, or the energy of the
delivery.
Quite literally, it sounds like
Freddy Mercury joined
Whitesnake. Queen's
The Miracle
album meets Whitesnake
1987
and the debut Blue Murder.
Regardless of the 'influences', this
remains a highly enjoyable listen,
made even better by the big fat
production sound and the quality of
the performance. The energy of
Valensia's delivery is highly
addictive and fans of The Snake or
John Sykes, not to mention
establish Valensia fans will
find a lot to like here.
Additionally, the album is far
superior to the debut album
This Is Not A
Drill. Better songs, better
production and more addictive hooks.
From the opening bars of Still Of
The Night, er, sorry,
We Rocked,
those memories of Kingdom Come
flood back – not to mention the
memories of Whitesnake's
1987.
Valensia has come extremely
close to matching the guitar play of
John Sykes and while the
vocals are more his own, the
Coverdale/Sykes mannerisms are
there for all to hear.
The uptempo shred fest of
Ready To Roar
has the feel of Whitesnake's
Slip Of The
Tongue album, complete with
Steve Vai comparisons.
Love Will Make
You Bleed sent me to the
writer's credits to make sure it
wasn't a cover! Yes, this is so
close to Blue Murder's
Jelly Roll
it just ain't funny. While I love
the premise of this album, something
this close to another track isn't
fair to the original writer. This
track comes complete with an
acoustic intro which bows to a big
passionate rock ballad finish where
even some of the lyrics are the
same! Instead of 'Love Will Break
Your Heart' in Jelly Roll, we
have 'Love Will Make You Bleed'
here.
Crying In The Rain is next…er, sorry
– wrong album again.
Hold On To The
Night is next up here and
Freddy does his best Coverdale here,
complete with dramatic intro and
shredding solos.
Burying
Heather is a truly bizarre
track. This sounds like Queen
meets The Beatles and reminds
me of Zoot's take on The
Beatles classic
Eleanor Rigby,
complete with strings.
It's time for another tribute to
Still Of The Night – this time under
the guise of
Hell Hounds On My Trail.
Aurelia's
Night doesn't bring anything
to mind, which is a good thing! A
simple guitar driven rocker.
For some reason
Alone, Unknown
and On My Own and
Zenith
remind me of George Michael
singing Queen. We seem to
have dropped the big hard rock
approach for a more acoustic driven
pop feel, with synth parts and a
true 70's feel. A couple of
interesting tracks, but two that
don't really match the premise of
the first half of the album.
A highly enjoyable album, if you
forgive the borrowings from other
sources, not to mention the over the
top nature of the performance. Fans
of the debut will be pleased to hear
this is even better and the album is
very engaging. Pompous hard rock at
it's best – even if you've heard it
someplace before!
www.melodicrock.com |
Metal Majesty - 2005 (Lion Music)
 Metal
Majesty
2005
Lion Music
It was just a short while ago that I
reviewed this bands debut This Is Not a
Drill, which was nothing more than a
glorified QUEEN tribute album. An album full
of original tunes all played expertly and
adeptly by a man named Valencia who seemed
to be channeling the departed Freddie
Mercury. Valencia is billed as a budding
genius, a man who is a guitar virtuoso, a
concert pianist, and studio technician
extraordinaire. All this seemed plausible
upon listening to the debut, but a couple of
times I felt the man went a little too far
in his QUEEN aspirations. I stated then that
I felt he could get away with it once, but
future albums should start to show the man's
supposed genius in more original ways. Well
the good news is that 2005 drops the QUEEN
posturing; the bad news is that he has found
a whole new windmill to tilt at.
It doesn't take more than the first couple
guitar riffs to realize that Valencia has
decided to explore the working of WHITESNAKE
this time around. Once again the songs are
all originals, but skirt very closely to
more famous tunes from the glory days of
Coverdale and crew. "We Rocked" is the
spitting image of 1987's "Give Me All Your
Love", "Hold On the Night" has definite
"Crying In the Rain" leanings, and "Hell
Hounds On My Trail" is nothing but a loose
reworking of "Still of the Night". I
shouldn't be surprised by his choice of
taking on WHITESNAKE, I remember there being
a couple of moments from the debut where he
detoured from his QUEEN worship and dabbled
in the Snake lore. Now on 2005 he seems to
get bored with the whole idea from time to
time though, he still shows a couple of
QUEEN longings as well as one BEATLES
interlude that seems completely out of place.
For now though let's stick with the
WHITESNAKE material since it is there that
all the best moments are contained. Yes that
means that I actually enjoyed what the
Valencia was doing, it's not like we are
getting any new material from the originals.
He writes songs that stray just close enough
to actual WHITESNAKE songs to make them all
seem familiar. This is much closer to metal
than the debut ever got close to. Valencia
certainly lives up to his reputation as a
guitar virtuoso, his playing is awe
inspiring matching and often surpassing the
work of more renowned WHITESNAKE axe
slingers like Sykes, Campbell, Vandenberg,
and Vai. In fact it is Vai that I am most
often reminded of, he has the same kind of
thin noodling sound that Steve Vai often
employs.
The one place where Valencia seems to fall
short is in the vocals. Whereas on the debut
he seemed to hit all the marks with his
Freddie Mercury musings, his voice can't
seem to do David Coverdale nearly as well as
say Jorn Lande does. He can hit the highs,
but he is unable to get the lows. Those
times when Coverdale gets down in the mud
and rolls around, moments when he would
really put the sexual charge into his songs.
Those moments are lacking here, as are any
lyrics that are suggestive in anyway shape
or form, this is just too squeaky clean.
PITRIFF RATING - 7/10 - I feel the positives
still outweigh the negatives on 2005, but
like the debut I am sure that the critics
are going to vastly differ in their opinion
of Valencia's work. As I said earlier, the
music here at least justifies the word "metal"
in the band's name. There are some amazing
moments throughout the album, mostly when
you focus on the guitar work. There are also
some very perplexing moments that just make
you shake your head, like when you ask
yourself what the hell a BEATLES tune is
doing in the middle of this album. I have no
doubt that Valencia's talents are immense in
their stature, but at some point he is going
to need to prove that in a more original way
than showing how clever he is in
interpreting someone else's sound. QUEEN
seemed like a regal enough band to mimic,
WHITESNAKE not so much. It is time for the
real Valencia to stand up.
Added: Tuesday, February 15, 2005
Reviewer: Shawn
Gould
Score:
 
Related Link:
Buy This Release Here
www.pitriff.com
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Tracklist
1. We Rocked
2. Ready To Roar
3. Love Will Make You Bleed
4. Hold On The Night
5. Burying Heather
6. Hell Hounds On My Trail
7. Aurelia’s Night
8. Alone, Unknown And On My
Own
9. Zenith
10. Ready To Roar (inst.)
Line-up
Valensia (all instruments)
Review
added
February 7, 2005
Back |
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METAL
MAJESTY
2005
© 2005 Lion Music (LMC 123)
melodic hard rock
studio album
10 tracks - TT 47:27
release date: January 24,
2005
http://www.lionmusic.com
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Hot on the heels of the
remastered European version of
the first Metal Majesty album
comes this follow-up, which is
simply called “2005”. In case
you don’t know, behind the
monicker of Metal Majesty is
hiding a Dutch artist, that we
all came to know as Valensia.
“This Is Not A Drill”, the first
Metal Majesty album, took many
of us by surprise, not only
because it sounded a lot heavier
than anything Valensia had
thrown at us in the past, but
also because of its great
variety in songs. The good news
is that “2005” brings us more of
the same, although I have my
doubts about the song “Love Will
Make You Bleed” and the fact
that some songs are now leaning
far too close towards the
material of Whitesnake. Indeed,
after Queen it’s now Whitesnake
and if you don’t believe me,
just listen to “Hold On The
Night” or even more “Hell Hounds
On My Trail”. As a whole, “2005”
is good again, but I can’t give
it the same score as its
predecessor because this time
too many ideas have been stolen
from Mr Coverdale’s Whitesnake,
which really is a shame. ( CL)
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Members' opinions |
post your
opinion |
aorrebel
valensia is a genious,
he's a very good singer,
very good guitar player.
An excelent album with
good production and very
good
arrangements...excelent
|
www.rockreport.be
|
Guitar Mania – Review
Metal Majesty – “2005”
One
word comes to mind when spinning this CD for the first time – Orgasmic! A
superbly crafted, magnificent work of art that flows with intensity and
rocks like an unharnesed jolt of electricity. Highly influenced by Queen,
Valensia’s (Aldous
Byron Valencia Clarkson)
voice is a dead ringer for Freddy Mercury. Guitar work is melodic and
delivered with a virtuoso flare that exudes bravado and extreme confidence.
You do not often find this combination of extreme talent all wrapped up in
one package. Other subtle influences found throughout Metal Majesty 2005
include that of John Sykes (Blue Murder) the Beatles and David Coverdale (Whitesnake).
This is a deeply intoxicating concoction of AOR heaven.
Valensia
seems to be a stickler for detail and does not disappoint in the production
department. Pristine, crystal clear vocal and guitar delivery are all mixed
in a massive sonic bombast that jumps right out of the CD to grab you by the
throat. Absolutely slamming.
Metal Majesty 2005 introduces the world to a first rate musician/shredder
with AOR roots and a predilection for melody and fire within the frame work
of emotionally drenched compositions. A true technical guitar fiend who can
rip and tear with the best, Valensia delivers smoldering solo after solo.
The music put forth on Metal Majesty 2005 showcases a musician who is at the
top of his game with seemingly little or no limitations.
For
the uninitiated -
Aldous Byron
Valensia Clarkson, A.K.A Flying Dutchman, hailing from The Hague
Netherlands is a 34 year old musical prodigy that has sold more then 1
million copies of his debut album back in 1994. Since that time he has
continued to deliver infectious musical offerings that have brought him full
circle to this his latest release – Metal Majesty 2005.
All tracks found on this
fine release are worthy of ones attention – my favorites include:
“We Rocked” and “Ready to
Roar” – Two hard rocking numbers that combine a slamming melody with some
over the top vocal harmonies. Both are catchy compositions that lay a strong
AOR foundation with mind melting melodic riffs that you just have to hear
over and over again. Both songs build in intensity until it is full shred
ahead.
“Hold on the Night” – a
John Sykes stylistically influenced romp that burns from start to finish and
contains a heavy acoustic rhythm background that chugs along with a foot
tapping rock vibe. Valencia incorporates almost every vocal and guitar
technique available to make this tour-de-force a strong showcase for his
over all ability.
Valensia
is quite simply the greatest musician you probably have never heard. His
music demands your attention. He is the Mozart of the AOR hard rock
generation. A brilliant new artist who brings a complete package to the
table. He incorporates the request palette of guitar/vocal chops combined
with AOR song craft and melodic sensibilities. Valencia is one of those rare
musicians who seem to be blessed with god given talents that allow him to
deliver a very diverse, emotionally charged offering that combines the best
of his peers. Anyone who enjoys melodic hard rock combined with over the top
vocal textures will really like Metal Majesty 2005.
Guitar Mania – http://www.guitarmania.ca
THIS IS NOT A DRILL
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| juni 2004, Lion Music LMC100
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TRACK LISTING
1. Grim Reeper
2. Metal Majesty
3. The Extra
Terrestrial
4. Wonderful Life
5. Magic Chemistry
6. His Highness
Hybris
7. Maiden Head
8. Licence To Chill
9. Everytime It
Rains Again
10. Hope And Glory
11. Deborah
12. The Moon
13. Bulgarian Queen
14. Symphony In V -
Minor
15. Rock Nor Roll
16. Stars Tonight
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RELEASE INFORMATION |
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CD |
Lion Music |
FINLAND |
2004 |
LMC100 |
28th May 2004 |
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REVIEW |
Extraordinary is the
only word for this album. For those of you who love
the glory, majesty, overblown pomp and supreme
musicianship of early Queen - you know, when they
were really rockin' - this is for you. The first 20
seconds of this album display more primal talent
than the last five years worth of AOR, Prog and
melodic Rock albums all put together. That is no
understatement either, let me explain…
First of all, get beyond the horrendous 'Metal
Majesty' tag. This is actually Valensia (a.k.a.
flying Dutchman Aldous Byron Valencia Clarkson),
superstar in Japan and gifted with so much talent he
would make Mozart green with envy. Not only can
Valensia hit every single Freddie Mercury note pure
and clear as a bell, he can shred his fretboard with
greater precision than Malmsteen AND perform
classical piano to an outrageous standard of
excellence. Valensia's control of his vocal, in both
range and power, is jaw dropping. Eerily, the sheer
perfection of his delivery makes certain passages,
such as in 'Deborah', make you swear it was a female
singing lead. To top it all the bastard is in
possession of film star looks and can pen songs
loaded with melody and class.
The guy's genius just might be his undoing though.
Who the hell would want to be in a band with him?
Who would dare? Only his drumming brother David it
seems, the only other musician on this record. Nice
to hear big, thudding, natural drums by the way.
Valensia not only performs everything else but
naturally mixed, arranged and produced the whole
thing as well. It is a quite massive, lush landscape
of intense Melodic Prog Hard Rock, laden with
character, individuality, capped with huge harmonies
and blazing solo after blazing solo. You think the
latest TNT album was good? Pah! Valensia does the
whole album and more in the first song!
The classic Queen comparisons are a little overdone
it has to be said. Valensia is a deadringer for
Mercury at his very best and when he's not simply
deluging the listener in cascading, lightning fast
notes his guitar tones often stray into some blatant
Brian May-isms. I'm not complaining though because,
quite frankly, if Queen had recorded an album this
good anytime from 1990 onwards it would have,
without question, been the best of their career.
Sacrilege, but Hell, true nonetheless. Disturbingly,
(for those of us who believe aliens are among us)
Valensia's songs are equal in stature to his
instrumental and vocal prowess.
The song 'Wonderful Life' is a mega-ballad powered
by a breathtaking guitar break and a melody line and
chorus line most AOR bands would strangle immediate
family members for in trade. Stunningly next track,
'Magic Chemistry' repeats the feat. 'Licence To
Chill' lifts the whole edifying monument even higher.
'Everytime It Rains Again' is a final push into
unearthly realms. 'Deborah' is worthy of Perry-era
Journey. Quite unbelievable.
OK, where does the boy genius fail? Where is his
Achilles heel? There might be one on 'Symphony In V-
Minor' where he duplicates the 'Bohemian Rhapsody'
courtroom drama without deviation except the words
have evolved into the nonsensical "Bonaparte,
Bonaparte, Magdalene, Josephine". Aurally amazing
but is it tongue in cheek? I sincerely hope so and
the backwards "Bulgarian" vocal intro provides a
clue here.
When Rock music is in dire, dire need of a a new
focus and simply raw talent why on earth am I
reviewing this record delivered to me by a
perceptive yet cute little label out of Finland?
Sony, EMI, BMG - get the blinkers off. This thing is
loaded with hit singles and controversy. A marketing
man's dream.
When you see the promo video and the dude is walking
on water do not be surprised to learn it is not a
special effect…
Garry Sharpe-Young
www.rockdetector.com |
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METAL MAJESTY - "This Is NOT A Drill" -
LION MUSIC
I'm absolutely stunned by this release by Danish phenom Valensia.
It's a little confusing to what the band name is and the album, but
none of that really matters once you get into the music. I thought
for a minute that Freddie Mercury had been reincarnated. There's
been bands that have been influenced by Queen, then there's this
project, that is the ultimate tribute to one of the worlds greatest
bands.
Those of you who have listened to the deep tracks from Queen albums
and "Night At The Opera" will totally get where Metal Majesty is
coming from. No, you won't hear the "radio" Queen, you'll hear some
extravagant, over-the-top production that Queen was famous for.
My knowledge of Valensia is very limited, but it seems he has been a
bit of a mystery his entire career. Apparently he was offered a
record deal at the age of 10! Well, I can see why, his compositions
are nothing short of brilliant, and will unfortuately go way over
the heads of the average music fan. But for the rest of us who love
this type of material, we're in Heaven.
Now, before I start getting carried away, I must point out some of
the flaws as well, which pains me to do considering the work put
into the album. Ironically, at times I think Valensia outsmarts
himself and trys TOO hard to make the music intricite. For instance,
"Wonderful Life" is a beautiful song with an amazing chorus that
get's a bit to detailed at times. This could have been another "Spread
Your Wings" if not for the progression of the song. Prog fans will
argue with me to the death on this, but I would have rather had a
four minute mid-tempo ballad that a nearly six minute extravagant
song.
Valensia's genius will mostly likely not be understood by the fad
obsessed American crowd, but then again, I didn't think The Darkness
would have the success they did either. Valensia is still a little
too caught up in that 80's AOR sound, which isn't necessarily a bad
thing, it's just not real "cool" here in the States.
Other notable tracks are "Hope And Glory", which might be closest
thing to Queen since Queen. You will be truly amazed at how he's
even able to replicate he backing vocals Queen produced. I'm telling
you right now, if you think Justin Hawkins sounds like Freddy
Mercury, Valensia will change your mind, I think he could fool even
the biggest Queen fan.
"Rock Nor Roll" is one of the more accessible songs, and the guitars
sound like David Lee Roth's "Goin' Crazy". "Deborah" is a total AOR
song that probably is closer to Toto than Queen. Finally "Stars
Tonight" is another track where he absolutely NAILS Freddie Mercury
in every possible way. Even the guitars on this track are close to
the sound produced by Brian May.
"License
To Chill" will be embraced by anyone who thought the 90's were the
dark days of music. It's not my favorite song on the album, but
certainly the most poignant.
Lyrically the album is a bit weak, but there's so much going on with
the music you don't even notice. The compositions are like nothing
you've heard in years. The melodies and harmonies are brilliant. You
get the feeling that Valensia could write simple Pop songs all day
long, but he'd probably go insane with boredom. This is really the
opposite of Pop in many ways. It won't transfer great live or even
over the radio, but on a kickass home stereo with surround sound
cranked up, you can bring back the glory days of the 70's when the
music was made for arenas and the writing was spectacular. It's such
a pleasure to hear this in 2004 when corporate music has taken over
the airwaves.
www.rockhardplace.com
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METAL MAJESTY 'This Is Not A Drill' Lion Music (2004)
www.lionmusic.com
Metal who? It is in fact that genius of the vocal harmonies Valensia! Now
his 'Blue Album' that Escape Music released earlier this year is a must have
for all Queen/pomp rock fans out there and this album isn't far behind!
Definitely more metal, especially guitar wise but those multi-layered
harmonies are firmly in place ('Grim Reeper' demonstrates this big time) and
Valensia's love of all things Queen is apparent as well. Highlights? Near
enough the whole damn album! But at a push 'Magic Chemistry' with soaring
backing vocals and a wall of guitars, 'Licence To Chill' that takes it down
a notch and 'Metal Majesty' that puts the pomp back into rock!
Queen fans just go and buy this, plain and simple. Otherwise if you enjoy
the OTT side of rock and metal coupled with a fantastic voice then you
really should check this album out. A fitting way for Lion Music to mark its
100th release - well done!
****1/2
Jason Ritchie
The home of classic, metal, AOR, folk & progressive rock -
http://www.getreadytorock.com
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Metal Majesty - This Is
Not A Drill
Lion Music
file under
Prog/sympho metal
 Ferdi:
The talented singer, composer and
multi-instrumentalist Valensia – most known
for his hitsingle ‘Gaia’ ten years ago – is
one of the most productive people from the
Netherlands in the prog/rockscene. Every
year he releases at least one or two records
under various names. He doesn’t have to do
it for they money though: the millions of
records he sold, mostly in Japan, already
warrant his retirement-fund.
Metal Majesty is a new project in which
Valencia makes heavier music than what we
have heard from him so far. The music sounds
a lot like Queen going prog. This European
pressing of ‘This Is Not A Drill’ contains a
whopping 15 songs that sound suspiciously
close to what Bryan May and co once wrote.
Especially with his vocal styles and
excessive way of producing, Valensia sounds
suspiciously close to Freddie Mercury. Other
resemblance’s are Styxx and Robbie
Valentine.
A fair share pf brilliant arrangements and
witty lyrics make ‘This Is Not A Drill’ a
record that you should have heard at least
once. Complex, sure, but at the same time
still comprehensible thanks to Valensia’s
crystal-clear production. As the adult
counterpart, Valensia has earned a lot of
credibility with this record. Songs like
‘Magic Chemisty’ (uptempo rocksong),
‘Wonderful Life‘ (gorgeous semi-ballad)
‘Everytimne It Rains Again’ (Mennen-like
hardrock), ‘Rock Nor Roll’ (quirky hardrock)
and an ode to Queen’s ‘Bohemian Rhapsody’
make this one of the most fun records of
this month.
The record’s 70-plus minutes may make it too
long to qualify this as a record that is
easy to get into. Nevertheless it is a
journey from one highlight to the other, an
experience that I can recommend to everyone.
Rating: 80/100
www.lordsofmetal.nl |
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Metal Majesty - This Is Not A Drill
2004 Lion Music
Release date: OUT NOW
Grim Reaper | Metal
Majesty | The Extra Terrestrial
| Wonderful Life
| Magic Chemistry | His Highness
Hybris | Maiden Head
| Licence To Chill
| Everytime It Rains Again
| Hope & Glory |
Deborah | The Moon
| Bulgarian Queen
| Symphony In V Minor | Rock Nor
Roll | Stars Tonight
|
Metal Majesty is the brainchild of vocalist,
keyboardist, bassist and guitarist Valencia Clarkson. Possessing
superb skills as both an arranger and performer 'This Is Not A
Drill' is very bombastic which not so much shows off a pomp flair as
absolutely revels in it! Fans of Queen will be instantly be at home
here, yet the grandiose sound of those rock legends is fused with
the slightly heavier chunk of 1987 era Whitesnake.
Opener Grim Reaper sounds
like Queen reworking Whitesnake's Still Of The Night mixed with Slip
Of The Tongue, and whilst its not original if looking from a band
perspective the pairing of these two styles certainly is and the end
result is truly captivating! This is one of the best opening tracks
I have heard this year! Metal Majesty
continues the busy pomp vibe with that John Sykes soundalike guitar
sound, and again its not original yet it is catchy as hell. Valencia
Clarkson sounds a lot like Freddie Mercury with his phrasing and
harmonisation. We get another Still Of The Night break down section
here and I did start to wonder if the cd has skipped, this quickly
changes with a nice melodic solo over a Deep Purple Child In Time
sounding hammond organ motif. The track then blasts back in for the
some more guitar histrionics with superb wide vibrato.
The Extra Terrestrial has
an almost big stage musical feel to it, huge pianos and
orchestration. This is again is VERY Queen sounding and yet again
manages to get away sounding more of a tribute that a rip-off (and I
am a BIG Queen fan). The sound then breaks down for
Wonderful Life complete an acoutic
guitar opening with Mercury/May/Taylor sounding backing vocals. This
then heads into what can only be described as Guns N Roses November
Rain territory! Yes the melody line is darn close to the GnR epic.
The track does then travel into slightly more original terrirtories...
I could go on for the rest of the album through each
track as above, but to be frank its pretty much more of the same,
well done but the bulk you cannot help but feel you have heard it
before by other artists! Yes this album does stray very close to
what some might describe as blatant rip off waters yet it manages to
retain its charm throughout. Heck I even dug playing "spot the
inspiration". The musicianship is good, although the album is
slightly let down by a less than clear mix, its not bad, just not
great, and Valencia Clarkson has one helluva voice!
Overall, if your a fan of Queen, or 1987 era
Whitesnake and want to hear the two merged then pick up this album!
Hot Spots: Grim
Reaper,
Rating:
80%
www.virtuosityone.com
Andy Craven |
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