Dogpound CD's and DVD's

 


 
III
 
CD
Lion Music
Swedish melodic metallers Dogpound mark their return with their third album simply entitled “III”. Almost 2 years after their critically acclaimed ‘A Night In The Gutter’, “III” sees the Dogpound trademark hook filled approach reach new highs with a powerful production perfectly allowing the bands best songs thus far to soar with a potent mix of strong musical hooks and infectious vocals melodies.

€12.90

$15.90

 
A Night in the Gutter
 
CD
Lion Music
2nd album of the Swedish melodic hard rock masters available only as download at this time

 
The Hellbum
 
CD
Lion Music
The amazing debut album

€9.90

$11.90

 
Downloads and audio samples
 
REVIEWS:


D
OGPOUND - III (A-/B+) Lion Music, 2007
14 tracks, RT: 63:45
[ http://www.dogpound.da.ru/ ]
[ http://www.myspace.com/dogpoundsweden ]
[ http://www.lionmusic.com/dogpound3.htm ]
[ http://www.lionmusic.com/ ]
The Swedes with the goofy name are back with album #3, and like its
predecessors it's another fine slice of melodic hard rock / borderline
metal with hooky choruses, heavier-than-expected guitar riffing, and
top-notch vocals. And about that, I remember once declaring Henrik
"Hea" Andersson's voice was a combination of Ted Poley (Danger Danger)
and Tommy Paris (Britny Fox), but I've got to say it's really more a
mix of Poley and Fernando Garcia (Victory) -- I don't know how I missed
the Garcia comparison in the past! Of course, this is not to say Hea's
anyone's clone -- it's just to help put things in perspective. The
album is very strong with rockers like "Human Hologram," "You And Me,"
"My Own Sin," and "Away From Me" leading the way. The band rocks and
knows its way around a feel-good vibe on these songs, and that's a
winning formula in my book. There are also a couple ballads (the
top-notch closer "Rain Must Fall," featuring just piano and Hea's
vocals, and "One"), some swagger ("Dead And Gone"), and a couple
slower, trippier moments ("Other Way Around" and "Undivided," the
latter of which has a wickedly cool, ripping intro that should've been
extended into its own complete song!). Another fun moment is the
Queen-worshiping vocal intro to "Not Welcome Here" -- goosebump alert!
I do kinda feel that at 14 songs and almost 64 minutes, III may be a
little too long, but that's about all I can come up with as far as
gripes. Great stuff.
- Tim Wadzinski

Detritus Rock/Metal e-zine
"Rock Hard With A Purpose"
http://groups.yahoo.com/group/Detritus/
http://www.myspace.com/detritusezine


DOGPOUND - III

Sweden's Dogpound get better and heavier with each release. The debut was ok, the band's second and last album saw them add a real AOR edge to their sound, but on the new album III it is time to rock hard baby!
The gruff, yet melodic vocals of singer Henrik Andersson are something to get used to perhaps, but I'm a converted fan already. The band storm through this album with a massive wall of sound that I didn't anticipate.
The massive guitar riffs of My Own Sin are enough to cause ear bleeding…just fantastic…and the chorus hook is enough to grab your attention first time around.
Less urgent, but just as heavy, Glass Jar has another cool chorus, even though it is somewhat buried beneath that wall of gui tars (not a bad thing!)
The album rocks from start to finish, but highlights among the 14 tracks include the attitude filled Human Hologram which features a catchy fast paced chorus; the smoother and more melodic anthem Dead And Gone; and the absolutely massive guitar fuelled anthem Blind, which is right up there for rocker of the year.
There is a ballad of sorts – the slower and passionate One, but it still rocks. In A Life is about the only time the album shifts to a softer gear.
The album comes to a big finale with a sentimental piano ballad. Perfect to close the album as it wouldn't fit anywhere within the album.


Review from www.Melodicrock.com 

 

The Bottom Line
 

Third time lucky for some, but Dogpound have just got better and better and reach a new level with this album. If you haven't checked the guys out so far, this is a perfect place to start.

92%
 
Songs: 90%
Sound: 94%
 
 
 

 

 

 

Dogpound
III Lion Music

by Derric Miller www.hardrockhaven.net
Staff Writer

Comments: There have been fewer underrated and underappreciated bands over the past few years than Dogpound. They come armed with a formidable singer (Hea), a drummer (Tuka) who kicks ass AND plays cowbell, and most importantly, their main songwriter (Micke, guitarist) knows how to write catchy, heavy melodic rock. They’ve also shown off sharp wit and a keen sense of humor on their previous releases, The Hellbum and A Night in the Gutter. So where does a band turn if they’ve done everything nearly perfect on their prior releases and have yet to break into the upper echelon of Melodic Rock? Well, they try something new, and that’s what you get on their third release, mysteriously titled III.

“My Own Sin” gets things groovin’, and just like their past music, they somehow play a little bit heavier and more melodic than most bands in their genre. Maybe it’s their energy or their attitude, but it shines through sonically. You’ll instantly hear that Hea has either started smoking cigars or his voice has just become a little heavier. Micke’s riffs carry the song along, and Tuka does what he always does, pummeling you with his rhythms and fills. So how is this different? It isn’t; it could easily fit on A Night in the Gutter.

Up next is “Glass Jar,” and the opening riffs are reminiscent of Alice in Chains. That’s certainly different. They also use weird, laser-type effects at the beginning. This all melts into a cool, bass-driven track, allowing Figge to show off his talents. This has “single” written all over it.

Another heavy duty rocker is “Human Hologram.” The riffs are just meaner than in the past, but not less accessible. Maybe it’s just more guitar distortion. Regardless, it seems the new formula is to rock the hell out of the verses and then build up to a massively melodic chorus, with triumphant backing vocals. The backing vocals are probably the loudest on this track, and they show a bit of their aforementioned wit by writing the words, “As long as tomorrow is a brand new day, I’m happy to be what I am—a human hologram.” Only Dogpound would write something like that.

Like Queen? These guys do, or at least the opening of “Not Welcome Here” does. This five-part harmony (with only four voices!) has to remind you of Queen. This is what Dogpound does best, mixing different styles of rock, from Classic to Heavy Metal, and writing lyrics like, “I will tell you stories; if you call me a liar you can kiss my derrière.” Their rhyme schemes are up to par too, rhyming “everywhere” with “derrière.”

The song “One” seems like it’s going to be what you’ve heard before, but after the opening distorted riffs, everything mellows out, and Hea is back to his cleaner, calm delivery. If you want a soaring chorus, this ones for you. Micke goes acoustic, and the song really breathes during the verses. Yeah, easily another hit for Dogpound.

There are actually 14 songs on III, and just like their previous albums, you won’t find anything worth skipping. “In a Life” is one of the slower songs on III, Hea using his lower range for most of the track, and “Undivided” and “You and Me” pale in comparison to basically nothing. Everything works.

They end the CD with a keyboard led composition, “Rain Must Fall.” This is a shocking turn of events; where you were just getting used to the heaviness of the CD, Dogpound changes direction and offers you a keyboard and vocal-only track. For the first time, the band gets a little serious, with lines like, “You can never stop a tear, no matter how small. Even if the skies are clear, you know that rain must fall.”

Dogpound III is obviously heavier than what they’ve created before. So, it might take you a few listens before you latch on to what drew you to Dogpound in the first place. It’s all still there, though; you’ll just have to be prepared to bang your head about 30 percent harder this time around.

www.dogpound.da.ru

Track listing:
1. My Own Sin
2. Glass Jar
3. Born A Winner
4. Human Hologram
5.Dead And Gone
6. Not Welcome Here
7. Blind
8. One
9. Other Way Around
10. In A Life
11. Away From Me
12. Undivided
13. You And Me
14. Rain Must Fall
 

HRH rating: 8.2/10

 

Dogpound
 
'III'
 
© 2007 Lion Music

Reviewed by Dave Palmer www.heavymetalresource.com
 


 
Obviously with the title 'III, this is Dogpound's third album. This band is one of my favorites on the Lion Music label out of Finland. The band play a melodic hard rock sound that might have fit well in the late 80's, but also has a bit of a more modern edge to it as well. The band write some good polished stuff and stay pretty consistent with each album. They do show growth with each release which is worth a mention as well. What I like is that Dogpound know what they do and they know they do it well. They don't grow with each album form an experimental perspective. They grow in their sound as a band as well as their songwriting. If you go back to the bands first album and then take a listen to this latest effort, you will see what I mean. The core of which they write from is there, but there is a definite growth in the music. Maturity if you like. The natural evolution of a good band. This album sports fourteen tracks of good rock and roll. The tempo is typically from mid tempo to a bit more crunchy. I like to name my own personal favorite tracks with each review. This album really has alot to like overall. To pick what I think stands out above the rest, I would include 'My Own Sin' for just being a cool tune and a great way to start the album. 'Born A Winner' would be a mention as well. Very good melodic tune that had me thinking a little Danger Danger. I like 'Not Welcome Here' due to the thick guitar sound and the choruses. 'One' is another very thick sounding track of which there are a few. What is cool about this track as it is with 'Other Way Around' is how heavy it can sound and then have more clarity and atmosphere in places and great melodies. 'Other Way Around' is definitely my favorite of the album. For the reasons I just mentioned and the choruses and the way the vocals sound just resonates with me in a big way. Could be one of my favorites of the year as a matter of fact. I would also include 'Away From Me'. Another good melodic number with an edgy guitar sound. The closing track 'Rain Must Fall' is good as well and is vocal driven and light. A different feel for the album and an equally nice way to close out.  The album is rock solid as usual. A fine job indeed.
 

 
Overall
 
Another great effort from this melodic hard rock band. I like the edgey feel the album has, but also the melodic feel that is woven through it as well. This album has fourteen very good tracks. You can definitely count on this band to get it done each album as they have shown. This type of album is why I wait with anticipation each time a release is in the works. Top notch stuff and recommended!
 

 

 

 

 
Dogpound – III
 



2007 Lion Music

The infectious catchiness that Dogpound brings to the table is hard to come by, for they convey their own brand of melodic metal, transcending the typical AOR route - like Gotthard sans the progressive tendencies and Harem Scarem minus the overt poppiness. Following up their powerful Night in the Gutter, the attack of infectious melodies continue, along with riffs galore, a hard driving Sabbath-esque grind, and Queen reminiscent harmonies, where III is a record that roars and pounds with the utmost captivating proportions.

Playing out the heaviness, tracks such as the upbeat “My Own Sin,” the harmony laden “Blind,” and “Other Way Around” bring the palate of bold melodic metal to the table while a more emotional stance is conveyed on both “Not Welcome Here” and “In a Life” (no, they are not ballads); but the cut that really stands out is “Dead and Gone,” which has this intriguing chorus that redefines the ‘raise your fist in the air’ mantra, perfecting the anthem in a whole new light, where charismatic tunes like this just fucking rock.

III offers up some of the most pristine melodic metal, with no keyboards or overzealous production, just a record that rocks out and screams of six-string laced glory, layered with riff after riff of potent crunch that howls. Dogpound have their own place in the world of melodic metal; not too pop, not too overdone, and not too sacred, just the perfect amount of all the right elements coming together and colliding into a massive force of musical might. A band that most certainly must be heard!

Added: September 8th 2007
Reviewer: Tommy Hash   www.ytsejam.com
Score:
Related Link: The official Dogpound website
Hits: 22

 

 

Dogpound
A Night in the Gutter Lion Music

by Derric Miller
Staff Writer

Comments: Dogpound’s first release, The Hellbum, slammed into melodic rock fans’ ears when it hit the streets in 2003. From out of nowhere came this band from Sweden with an ultra-melodic yet guitar-heavy sound, with dark lyrics yet upbeat vocals that sort of went against the grain of the scene. It was a Top 10 CD of 2003. Now, Dogpound has a couple more years under their belt and untold bottles of booze down their gullet, and they are here to slam into you again with their new CD, A Night in the Gutter.

The band is irreverent and sometimes goofy, and proves this by starting off the CD with a song called “Captain Hook & Jesus.” Lyrically, they talk about Mary Poppins, a world of crumblecakes and Peter Pan and thieves and lovers, and you’ll realize instantly if you are a fan of their prior CD that singer Hea is back, somehow singing better than he did on The Hellbum.

The second track, “5 Seconds Away,” has an almost Ratt feel to it in the guitar lead, but then Dogpound changes things up with their heavy melodic composition style. When Hea sings, “It’s the small things that count … and this time it’s much too clear!” you’ll be attempting to sing along, but probably can’t hit those high notes. This is THE Dogpound sound, and it rips.

You think they are going to hit you with a ballad by the fourth track, but nope, they keep tearing things up. “Not By Choice” begins with Hea singing about his youth, wanting to be some kind of superhero, and guitarist Micke blazes through the song, a perfect metal counterbalance to Hea’s more mainstream vocals. They lyrics are again superb, with lines like, “My father told me you will never be a man. Then he kicked my ass …” Like most of their songs, the verses are up tempo and the chorus is slower, but the formula works.

“Sail On” is really their first mellow song, with Hea employing his lower range. This time the rhythm section of Tuka on drums and Figge on bass control the feel of the song. This is one of the best songs you’ll ever hear in the gutter.

Dogpound seems heavier this time around, with the guitars playing a major role throughout the CD, even when they play a poppier song. Take “Dreamworld,” which begins with Micke tearing off an intro reminiscent of Lillian Axe’s work, yet subsides into a radio friendly track. The song leads heavily on guitar leads between the verses, making this more interesting than your average melodic rock song. More punch, in other words.

“Worries of Yesterday” even employs woodwinds of some sort, showing the band isn’t afraid to branch out. On their first CD, Tuka even played cowbell, so why not something different this time? As you have figured out by now, Hea can sing his ass off, doing it repeatedly — every time he opens his mouth on the album. This is an uplifting ballad, mellifluous even, if you can say that of a hard rock band.

The rest of the songs keep up this high quality, all of the musicians carry their weight and then some, but Dogpound is really a culmination of its part, and that includes their songwriting ability. For many bands, you measure them by their improvement from CD to CD. In this case, Dogpound fans were just hoping the new release was as good as the prior. Somehow, it is, and this bodes well for the future of Dogpound.

www.lionmusic.com
www.dogpound.da.ru

Track listing:
1. Captain Hook & Jesus
2. 5 Seconds Away
3. Still My Heart
4. Not By Choice
5. Sail On
6. In Another Lifetime
7. Dreamworld
8. Inside Of You
9. Loaded My Guns
10. Worries Of Yesterday
11. P.P.F
12. Worth The Pain

HRH Rating: 8.2/10

www.hardrockhaven.net

 

Dogpound
"A night in the gutter"
(Lion Music)


Released: 2005
Producer:
Style: Hard rock
Format: Album
Website: www.dogpound.da.ru/
Reviewed by: Kaj Roth
2 years after their debut "The Hellbum",the Swedish hardrock band Dogpound releases the new album "A night in the gutter" this week and I must say that there aren´t many bands around sounding like Dogpound.
I can only think of one and that is also another Swedish melodic hardrock band called House of Shakira,you can in fact call it exploring hard rock coz these guys refuses to stand on used ground making the same old riffs and chords all over again.
Dogpound wants to move on towards new frontiers in the world of hardrock music,they are smart enough to include very melodic choruses so it doesn´t get too complex.
"A night in the gutter" will appeal to fans of Freak Kitchen as well coz they make the same intelligent hardrock - just listen to the entertaining opening track "Captain Hook and Jesus" with it´s unpredictable hooks.
The superstrong "Not by choice" is far out the best track on the album,this is what melodic hard rock is all about - harmonies that most bands would kill for and what about the King´s X sounding "Sail on".......halleluja what a song!
An album every melodic rock fan should have!

 

Dogpound-A Night In The Gutter (Lion Music) By: Joe Florez
Melodic Swedish hard rockers deliver their second disc, which is full of color and life. This four piece pump out music that is bursting with energy. “Captain Hook & Jesus” has it all from vivid harmony vocals to vibrant guitar playing and good solid drumming that should appeal to fans of King’s X. “5 Seconds Away” manages to incorporate a little bit more aggressive guitar work, but it eventually makes it way back to being poppy and infectious. Might I also add that Micke knows how to work his axe. Just listen to his solos and you will hear that the man knows his stuff; he won’t disappoint. After a batch of up tempo and up beat songs, the boys bring it down a few notches with “Sail On.” The difference here is 
that it’s not a sappy or slow ballad, rather it’s just melodic without the full on power of all the instruments. The passion is still there both vocally and musically and it prevents you from hitting the next button because it’s anything but boring. Pound for pound (no pun intended) these four sophisticated lads deliver mature music for the masses that could have commercial appeal, even though they will never be played on the radio. The recipe written up on here is perfect. There is nothing that is whiney or too cheesy that many bands in this genre deliver. Hey, I have listened to bands on the Frontiers label and Inside Out and some of their artists deliver only a few decent songs then the rest of it hits the gutter, but on Lion Music this is a certified home run. The songs are short and there is no filler on. So, if you think that you need that feel-good disc, then this is the one for you. 
www.lionmusic.com | www.dogpound.da.ru 
review from www.live4metal.com

 

BAND >> CD >> LABEL >> MARK>>
DOGPOUND A NIGHT IN THE GUTTER LION MUSIC (2005) 88%

Dogpound are back and I was expecting a lot from this record because I really like their first one and good hard rock band are quite rare these days so I wanted this record to be good and that's exactly what I got! The vocals are again powerfull as hell and even if I know that this kind of voice can't pleaseto everybody, I really like it. His voice fits perfectly with Dogpound's music. I know that this review might sound just like when I reviewed their first record The Hellbum but man, this is another killer record filled with hooks, big chorus, big guitars and of course, amazing melodies that will stick to your head at first listen! Melodic rock fans will definitly like those songs. It's pure rock at its best and it's one hook after another will not even one filler! 5 second away, Not by choice, in another lifetime, Inside of you, Loaded my guns, PPF & worth the pain all got huge melodic chorus!! Yes I know I practically named all the songs on this record but that's just a fact. If you're a fan of the genre this is a blind buy for sure!!



Patrick www.thedarkesthours.com

 

 


 Dogpound - A Night In The Gutter
Dogpound may be stretched out in the grime of the gutter but their new album on the burgeoning Lion Music label suggests that their collective gaze is fixed on the stars.
Of course the usual influences, Lizzy, Leppard et al put in appearances but the vocal phrasing of the excellent Henrik Andersson and the superb guitar work of Mikael Dahlqvist beings Rush to mind above all, a nice twist to the melodic package  and a twist certainly to the fore on "5 seconds away".
"Captain Hook & Jesus" brings to mind the long lost Montana Screams with a hint of Rush, and "Still my heart" is Harem Scarem by way of Jerry Cantrell.
There is a sly lyrical wit on offer, as on the headrush that is "Not by choice" which adds to the bands' appeal as does the Butch Walker pop craft of "Dreamworld".
Deserving of plaudits and sales by the truckload, Dogpound is a band to treasure.
(Andrew Paul) Destiny Records

 

 

DOGPOUND - THE HELLBUM (B+) Lion Music, 2003
11 tracks, RT: 44:00
[
http://dogpound.da.ru/ ]
[ dogpound@redrival.net ]
[ http://www.lionmusic.com/ ]
Yes, it's a weird band name but according to the bio these guys used
to be called Frozen Miffo, so...??? Dogpound it is! THE HELLBUM was
one of the most pleasant surprises I encountered last year, and I
ranked it #13 on my "best of 2003" list. The band's sound is rooted --
amazingly -- in primo pop metal...albeit with heavier guitars to make
it "current." Hooky, sing-along choruses abound; opener "End Of Our
Days," "Going Down In Flames," and the unashamedly commercial "...For
My Sins" pop out of the speakers and are instantly memorable. Vocalist
Hea (yep, just Hea) sounds to me like a fantastic blend of Ted Poley's
(Danger Danger) and Tommy Paris' (Britny Fox) best moments, and
guitarist Micke (yep, just Micke) does a masterful job of writing
parts that are tuned down but somehow manage to remain melodic; he
also mixes in the acoustics and clean sounds with ease, and manages to
cop a few Zakk Wylde licks to boot! Remember when Warrant, Danger
Danger, Vince Neil, Wildside, and so many other artists of that ilk
took horribly misguided turns down Grunge Avenue in the last decade?
Well, Dogpound paid attention and came up with a hybrid sound that
could *easily* appeal to the melody-starved old schoolers as well as
the young, seventh-string heaviness craving modern kids. Well done,
boys -- here's your biscuit! - Tim

=====
Detritus Rock/Metal e-zine
"Rock Hard With A Purpose"
http://groups.yahoo.com/group/detritus/

Dogpound - The Hellbum 

hellbum.jpg (8411 bytes)


Steen has already reviewed this CD and after he played me some tunes I immediately gained interest in the band.

As much as I would enjoy calling Steen "Miffo" (see his review for explanation) I must agree that "The Hellbum" is a solid Hard Rock record. Steen's review is spot on and describes the record well. It's been a long time since a new Hard Rock band impressed me, but Dogpound took me by storm.

Dogpound reminds me of another Swedish band Freak Kitchen. Both Hea's vocals, but more highly the amazing guitar work from Micke, who has great playing style. His crunchy guitars are all over the record and provide Dogpound with a heavy edge. The heavy riffs and the groovy guitar work are a contrast to the songwriting, which is very melodic. Dogpound is best described as Hard Rock with a heavy edge.

Album highlights are the songs where Dogpound uses both acoustic and electric guitars. Bleed changes tempo and mixes acoustic and electric guitar. Sounds a bit Led Zeppelinish with the acoustic verse, while the electric chorus is really groovy. Another hybrid of electric/acoustic is the groovy Silent scream, which has an all-acoustic solo from Micke.

The two ballads Way Up high and You Remain provide the album with variety from the otherwise heavy approach. "The Hellbum" is packed with great songs and basically it rediscovers the noble art of entertaining the listener through the albums playing time of approximately 45 minutes. This album is supposed to be played loud.

The lyrics are dark and judgement day is the topic on the meaning titles End Of Our Days and When The World Comes Down. However, the music gets you in a good mood. The lyrics for Loser On A King's Throne are ironic and unpretentious, which also goes for the artwork.

The guitar sound is a bit muddy, but it's the signature of Dogpound along with Hea's vocals. The rhythm section of bassist Figge and drummer Tuka keep it tight through the entire record.

According to the press material Dogpound has been in and out of the music business since 1999. Despite disappointments they have decided to give one last chance. So if you are a Hard Rock fan I advise you to check this band out. The name Dogpound misleads, because they should be named pedigree dog. They are a high quality Hard Rock band with songs that should earn them a consolidated place in the music business.

Check them out - Hard Rock fans already lost a lot of great bands and we don't want that to happen again.


Rating: 7.5/10

Michael - 2/15/04 www.revelationz.net

hellbum.jpg (8411 bytes)

Dogpound - The Hellbum
2003 Lion Music

With the band Dogpound, Lion Music have kind of branched out from everything you associate with the label. Dogpound are what can be best described as modern melodic hard rock done Scandinavian style. This is by no means a bad thing as many great bands have come out of Sweden over the last decade that are anything but neo-classical. Such names as Damned Nation and Skintrade spring to mind.

Anyway, what we have on "The Hellbum" is 11 very enjoyable straight ahead rock tracks that are home to some excellent melody and indeed solid musical framworks. This album does not require an appreciation of technical mastery to enjoy, just throw it in your cd player and get ready to rock. Scattered throughout we have a collection of great riffs, When The World Comes Down has one of those killer moments, and the bands delivery is full of energy and enthusiasm. The chorus is pretty modern rock mainstream and I could see this band doing big business in the US if given the right exposure and airplay. Vocalist Hea (no surname) has a great slant to his voice which reminds me a little of Daniel Johns of Silverchair. The guitar work here is kicking and the solo is also cool. Going Down In Flames sees some metal oomph thrown into the album with a killer riff, the feel reminds me a little of Faith No More. Again a very strong melodic chorus with strong vocal harmonisation adds extra class.Way Up High sees the tempo drop a little and has a very classy feel to it, the chorus is killer again and begs for radioplay. It reminds me a little of Incubus and bands of their ilk.

The rest of the album is generally in this vein and every track has it moments, the band have their own sound without doubt and if marketed correctly Lion Music could have a very popular band that is able to acquire more mainstream success that its generally more specialist roster.

Hot Spots: End Of Our Days, When The World Come's Down, Going Down In Flames.
Rating: 80%
Andy Craven www.virtuosityone.com

hellbum.jpg (8411 bytes)

DOGPOUND: "The Hellbum" 7

LionMusic 2003
Review by Urban "Wally" Wallstrom 30 October 2003

They've been spending their days locked up in the "Dogpound" for way too long by now. Mainly due to problems with different record labels as things started to go wrong already back in 2001. I remember reviewing their smashing 7-track demo back then (still in our archives I believe), and a certain label picked them up soonly afterwards.

Disappointed in the music industry and fed up with dishonest people, Swedens Dogpound pretty much decided to call it a day. Guitarist 'Micke' joined full time touring band "Candela" (swedish schlager music - dansband) and the rest of the members shattered quietly into the night. Nevertheless, now they're back with a vengeance and the smashing album "The Hellbum" at LionMusic.

I'm sure that some of you are familiar with the song "When The World Comes Down" as it was featured on a label sampler earlier. This is one marvelous uptempo rocker in the Swedish tradition of Talisman and Freak Kitchen. Micke is one helluva string bender and what a waste of talent to have him spending his days with Candela. The groovy rhythm section with Figge (bass) and Tuka (drums) are pretty much rock solid too. And like I wrote in my demo review earlier "a heavier verse is always followed up by a melodic sing-a-long chorus". I miss however a couple of tracks from the demo days, even if they've replaced them with better or similar material. For example the excellent ballads "You Remain" and "Way Up High", where the latter is one of the highlights this year. "...For My Sins" is a nice 'throwaway' rocker a'la Takara and opener "End Of Our Days" is another winner. "The Hellbum" is most of all guitar rock with lots of wicked riffs and an overall loud attitude. A safe pick up if you're into above mentioned bands and a lot more chorus/melody oriented than later days Talisman.
www.aoreurope.com


hellbum.jpg (8411 bytes)

DOGPOUND - THE HELLBUM (2003, LION MUSIC)

I think Lion Music has been doing a great job lately at adding great young talent to their roster. There is no doubt that they have had some high caliber musicians working under their label, but what about the more basic rock style bands? That is where Dogpound comes in. I think these guys are great. They put all of the elements together to make an album ala Slaughter or Wildside which really helps round out the label. When I say Slaughter, this band vocally reminds me of Mark Slaughter quite a bit. The music is direct and very catchy. The kind of stuff you plug in the deck and just cruise. The music tends to be melodic, but at times has a hard drive to it as heard on tracks like 'Bleed' which I would personally pick as a first single off of the album. 'Going Down In Flames', 'Loser On A King's Throne', and 'Silent Scream' also show a good degree of intensity without losing the melodic sensability. There is some very good lighter stuff that you would definitely expect from a hard rock band. 'Way Up High' tends to be light, but has a heavy undertone. 'You Remain' is one of my favorites as well with it's varying tempo from light to mid tempo and back. It mixes well for an overall good sound. The album overall tends to be consistent and really shows some good songwriting. That's what it is all about....great songwriting and delivery and these guys hit the nail on the head.

Overall
If you are looking for a good hard rocking record that has a bit of the classic 80's sound mixed with a few modern influences, this is it. A good record that kicks out some good melodies, but never forgets what the listener wants, to rock out. Vocally the band reminds me a bit of Slaughter, but opinions may vary. I feel this is a nice addition to the Lion Music catalog. A very interesting title as well. Recommended!

Heavy Metal Resource


DOGPOUND / The Hellbum / Lion Music
by: DERRIC MILLER

 hellbum.jpg (8411 bytes)

“It’s a time of madness, it’s proven to us every day … it’s the end of our days.” Ahhh, nothing like an upbeat “end of the world song” to start a CD off with. And that is exactly what Dogpound does on their debut release, The Hellbum. It is almost funny how downright happy this song is, whether they want it to be or not. This is the first of many great songs on The Hellbum, a welcome surprise that you all need to hear.

Dogpound was formerly called Frozen Miffo, and each member of the band at that time had other priorities than the band they all played in together. Luckily, Lion Music — who is more known for progressive metal, which Dogpound isn’t — received their demo and signed them, keeping them together. You’ll have to thank them for it.

If you want to figure out their sound, mix in a little Ted Poley-era Danger Danger with D.A.D., and crank it up a notch or two. Harder guitars, faster songs, but vocally, along those Poley-lines. Just harder. But there is really no reason to label them; just listen and enjoy.

The aforementioned “End of Our Days,” has an ‘80s vibe to it. It is straight-ahead rock, with controlled vocals, chugging riffs and a smooth melody. It also has lines like, “It’s time for positive thinking: I can, yes I can!” But when they follow that by avowing that “no one’s there, no one cares, no one dares,” you see it’s not all happy-happy joy-joy.

“Bleed” is an even harder song, guitar-driven heavy and then smooth, almost like Nickelback does, except better and not contrived. In fact, just listening to the first two songs alone, you’ll begin to wonder if this is doom-metal dressed up as hard rock. What else can you think when they say, “See the damage built around the lies. Whatever happened to modern day society?”

The darkness keeps plugging away, with the songs “When the World Comes Down,” followed by “Going Down in Flames.” The thing is, if you just listen and crank it up and don’t read along with the lyrics, you are going to swear these guys are happy. “Going Down in Flames” is the harder of the two, and probably the darkest, with lyrics like “Miracles can’t save us … we’re going down in flames.”

Later on the CD, you’ll see them start to exert their sense of humor. And that’s another thing Dogpound does well (and why there was a D.A.D. reference). The song “Loser on a King’s Throne,” is just flat-out funny. This is another fast song, with great riffs that will have you smashing your head into things. Vocalist Hea has an unassuming delivery that actually packs a punch — especially when you attempt to sing along with him. He has a strong delivery, a good range, and an excellent hard rock voice. Plus, when you sing along with him and yell, “I’m a total waste of space, a loser, a disgrace,” it just FEELS right.

Thankfully, they actually turn positive on the song “Ready to Believe.” The drums are probably the best part of this song, a constant pounding, almost like an affirmation that “yeah, I’m ready to believe!” Just another gem among gems here.

Overall, the best song is “Silent Scream.” This embodies their riff-heavy guitar sound, ability to crank it up and slow it down while keeping a constant flow, and making the melodic sound hard, and vice versa. Of course, with the line,” please save me from myself,” you’ll get the desperation and the moribund again. By now, you’ll realize it’s part of their charm …

The only thing you can say is that Dogpound deserves to be heard. Live, if you are lucky, but at least on the radio, in your car, in your office, at the strip club — everywhere you frequent. Plus, the drummer also plays cowbell, so there. www.metalexpress.no

 


DOGPOUND - The Hellbum

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Releasedate: 11.November 2003

The Swedish band Dogpound has been around since 1999, but then under the name Frozen Miffo. It all started
when guitarist Micke Dahlqvist presented some song ideas to his classmates at The Nordic School Of Rock
Music in Munkfors, Sweden. Micke, Hea , Figge and Calle soon start to rehearse and after some rehearsals they
had two songs ready, "Bleed" and "Live My Way". They recorded their first demo in a studio at their school, with
help from soundengineer-student John Eriksson. It was in this period they changed their name to Dogpound. Some
problems with different record labels was one of the things who lead the band to a stop in their career, the four guys
continued their musical career in different projects. But in 2002 they decided to try again and recorded a six track demo
who was sent to Lion Music in Finland. The result of that landed in my mailbox some weeks ago, the album Hellbum.

Lion Music seems to have a big potential bringing us great bands, one after the other. Earlier this year they released
the Section A project from Torben Enevoldsen, who has become one of my favorite albums this year. After I received Dogpound, my CD player has been red hot several times. The eleven tracks on Hellbum has no weak points at all,
if you ask me. Musically it seems to me that these guys has learned a lot from their musical studies. The music changes
from the brutal to a more melodic hard rock oriented style, with great refrain parts and huge guitar sound. Dogpound
has developed a rough and great guitar sound, the best I`ve heard in many years. I remember the first times I heard
the American band Extreme, and specially their first album: I thought then that it was something new and revolutionary.
The same thing happened when I heard Dogpound, with the special sound they have, and their new way to express
the music. It`s not so often I find bands with this right and especially pitch I`m seeking when I hear a new band, but
Dogpound
is definitely one of these few bands. The nearest comparisons I can think of who are in likes of Dogpound`s
music is bands like Extreme, Harem Scarem (on the Voice Of Reason album) and you also can hear some influences
from newer bands like Creed and Nickelback. The bomb goes off on the first track End Of Our Days, from this
point they are taking us on a journey of very good written songs with variety from track to track. Bleed, Way Up
High, Loser On A King`s Throne
and the balladlike You Remain, are killer songs with very good sound, great
vocals and guitar sound who took my breath away. A band once had a song called Going For Gold, I don`t remain
their name, but I`m sure Dogpound are going for gold too, because this is high Quality music from Sweden, you need
to check it out, this band rocks like H!!!!!!
                                                                                                                                      http://www.dogpound.da.ru/
                                                                                                                                   http://www.lionmusic.com/

Dogpound are:

Hea - Vocals
Micke - Guitars
Figge - Bass
Tuka - Drums

Review from : Melodic Hardrock Today



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DOGPOUND - THE HELLBUM (2003, LION MUSIC)
GOOD 95/100

Hea - vocals; Micke - guitars; Figge - bass; Tuka - drums, cowbell (?)

Boy, this album fizzes from start to finish! Who the hell let these Swedish monsters out of the kennel? Whoever did should be congratulated, as this is guaranteed to wake up the neighbors like the dog barking his head off at 5am in the morning!

Lets take a little history lesson. The band started out in 1999 under the handle of Frozen Miffo, a collection of musicians studying at Nordiska Rockmusiklinjen in Mukfors Sweden. A few demos, and a 'host of sour relationships with prospective labels' later, the band were put on frozen ice, as they ventured out doing other projects. However, as per their bio, they got together in December 2002 for one last final fling in the hope of making it, and 'The Hellbum' and a deal with Lion Music is the end result.

Following on from this years fantastic Section A release, Lion have struck gold once again. Though Dogpound are brutally heavy at times, they are soooo melodic for a rough and ready band, image notwithstanding. There's no doubting class when you hear it, and the time they spent at 'school' has obviously paid dividends, because the 11 tracks on show throughout is the proof in the pudding. Comparison wise, refer to the guitar power last heard on Rich Ward's Sick Speed project, throw in some Spread Eagle and Saint And Sinners and you'll end up at the entrance to the Dogpound.

There's not a weak track here, most of them rockin' up a storm, bludgeon guitar work, but on occasion when they descend out of the dark melodic maelstrom they've created, some lovely acoustic flamenco stuff can be heard. A couple of those milder moments include 'You Remain' and the effortless 'Way Up High', both stopovers on a breathtaking ride. Elsewhere, just crank up tracks like 'When The World Comes Down', 'Loser On A Kings Throne' or the dizzy fast-paced 'For My Sins' to see what I mean.

This album (or is that Hellbum?) is gonna take many by surprise. It hasn't taken us for a ride, as we know how good this is: we've just told you so! Medley download to follow..

Review By: George Thatcher
URL: www.lionmusic.com
Track Time: 43.58
Release Date: November 11, 2003

Track Listing:
01 End Of Our Days
02 Bleed
03 When The World Comes Down
04 Going Down In Flames
05 Way Up High
06 Loser On A Kings Throne
07 Ready To Believe
08 You Remain
09 For My Sins
10 Silent Scream
11 Welcome To The Mystery

 

Dogpound: The Hellbum

Finnish label Lion Music upped the bar for itself with the recent release of Sun Caged’s self-titled debut, one of the best prog-metal albums of the year. Now comes another scorcher. Dogpound’s The Hellbum belies the redneck cover artwork and the band’s Swedish origin, offering a big slice of American-sounding melodic hard rock. With chunky riffs, crisp vocals and dynamite harmonies straight out of the Eighties, Dogpound’s feel-good songs seethe with a dark undercurrent. Tracks like “End of Our Days,” “When the World Comes Down,” “Going Down in Flames,” “Loser on a King’s Throne” and “ … For My Sins” contain elements of fatalism or self-loathing. It’s an odd juxtaposition, augmented by goofy line drawings of dogs inside the CD booklet. But it works for this quartet, even if the thin production drops the overall impact down a notch or two.

With outstanding recent releases by Sun Caged, Section A and now Dogpound, Lion – perhaps known best as an instrumental-guitar label – is proving that it’s capable of seeking out quality bands with powerful vocalists, too. Here’s hoping the trend continues …

Added: November 8th 2003
Reviewer: Michael Popke  www.seaoftranquility.com
Score:
Related Link: Lion Music
Hits: 11
Language: english


DOGPOUND - THE HELLBUM (Lion Music)

I reviewed a demo by this Swedish melodic hard rock band Dogpound over two years ago, so it's good to finally see them getting their excellent material out there. They signed to Z Records, but for reasons unknown they were let go and then Lion Music took their option up. Dogpound also show technical and progressive elements, thus they sound quite different from your usual bands associated with melodic rock. Their songs are dynamic and powerful in someway they remind of defunct Swedish rock band Southpaw through to Freak Kitchen and Vagabond. So it's nice to see Lion Music take a chance on a band who stand as one of their stand out artists simply because of their power and diversity, which makes each song thrilling and entertaining.

Check out songs like '
End Of Our Days', this is very addictive and the chorus sticks in your head from the start and even throws in some ideas that are similar in structure to Harem Scarem's "Voice Of Reason" album. 'Bleed' is catchy and hit hard, this is a stomping rocker with fiery Zakk Wylde/George Lynch inspired blazing riffs. The way the vocals from Hea are sung on this song sound like a mixture of Creed style rock and 80's rock, best of both world for all fans with this song, and a song that could open up larger markets for the label, should they be keen enough to promote it outside the melodic hard rock base.

'
When The World Comes Down' is another catchy song with heavy cranking guitars, one of the CD best tracks reminding me of Freak Kitchen. 'Going Down In Flames' is a very fun head banging chunky rocker with a very infectious chorus. 'Way Up High' is more melodic based, a cool slower balladic song and then 'Loser On A King's Throne' is an awesome modern rocker, again like Freak Kitchen with fast guitar riffs, almost like Freak Kitchen crossed with a harder edged Extreme, great song, very catchy. 'Ready To Believe' is more melodic rocking reminding me of Lillian Axe. 'You Remain' is another of the albums highlights. This song is very melodic and super cool, the chorus is dreamy and just captures a more mature side to the band, totally brilliant.

It's back to the hot rockin' with the memorable '
..For My Sins', this is very melodic and is again like Harem Scarem crossed with T.N.T. and Lillian Axe, fantastic song. The band modernize their sound once again on 'Silent Scream', it's also melodic and a very good song and another highlight, the chorus is very melodic, it's just the guitars that make is sound modern, like Freak Kitchen. Singer Hea puts in one of his best performance of the whole album on this song. The last song on the CD is called 'Welcome To The Mystery' and is more of the above with hints of Talisman and Dammed Nation.

You know the more I play Dogpound the more I enjoy them,the production is solid and raw and the band make each track sound interesting and different from the previous song . A most entertaining album indeed.

www.lionmusic.com

http://dogpound.da.ru

85/100

Nicky Baldrian
www.aordreamzones.com